One of the speakers at Ennis Book Club Festival last weekend said that he starts a new novel as soon as he completes one, within a day. This started me thinking about how he gets his ideas and I tried to come up with what I might write when I’ve finished my current project. No luck.
Then someone sent me a character profile we’d discussed, something I’d become stuck on and she’d suggested a new pair of eyes might help. This gave me the idea for an exercise.
Firstly write a profile/backstory for a character e.g. Georgina is now in a wheelchair. She’s 27 years of age, black and has just lost her job. She was secretary to the boss of a meat canning factory until she told him she suspected someone was tampering with the health and safety reports. Her boyfriend of the last five years has also dumped her … etc, etc.
Make this as brief or as extensive as you like.
Then do the same for two, or possibly three, more characters. Perhaps think about varying their ages, social position, location, etc.
Then ask the question: What connects these people?
If you’ve also set up questions within the profiles, for example, why is Georgina now in a wheelchair, try answering them.
Hopefully this might lead to the outline for a story. If not, you can always use the characters somewhere else and the exercise won’t be wasted.
Let me know if it works for you.
This weekend I attended the excellent Ennis Book Club Festival in County Clare and was treated to the thoughts of a number of writers. I attended sessions with Carol Drinkwater, Donal Ryan, John Boyne and Anne Enright, amongst others and it was fascinating to hear their insights on the writing process.
What was clear from all of them was that you have to work at it and you have to love it. John Boyne, for example, when asked about the opening sentence of his latest novel, The Heart’s Invisible Furies, said he’d redrafted it about 200 times. Even assuming he was exaggerating slightly it pointed to a degree of dedication to honing the work until it was as good as it could be. Several writers talked of redrafting their novel many times before sending it to an editor.
Two of the speakers talked about how they will sometimes write an event or character in a particular way without being sure why, then it makes sense later when the story is reaching a conclusion. It is almost as if there’s a precognition of where the tale will go, even if they don’t do detailed plotting. As a writer, I understood what they were saying although hadn’t heard it articulated that way before.
There was also an encouraging analysis of how to complete that novel, a task which at times can seem awe inspiring. It was explained, simply, that writing a page a day, that is around 250-300 words (the length of this post to here), gives a full-length draft in a year or less. So – go for it.